Kris Kozlowski Moore reviews ‘Yuka & The Forest’

Our lives in the West are evidently powered by a paradigm of speed, but perhaps it is time to slow down. Yuka & The Forest by Lena C. Emery appears to do this. In the artist’s second book, we are introduced to the forests of Japan, more specifically those termed chinju no mori (sacred forests surrounding Shinto shrines). The book opens with a story written in the first person by Emery, poetically narrating a meditative walk that the photographs later illustrate. It is vivid, sensual prose that instills tranquility of mind, where talk of clouds as gentle giants, morning bird trills, tree spirits inhabiting twisting Japanese tree trunks and instances of meaningful touch between human and nature populate the passage. Importantly, Emery opts to at times uses Japanese words, melding her western thoughts with traditional language to underscore Japan’s harmonious relationship with nature whilst accentuating the remaining dichotomies between the East and West. In the West we are conditioned to consume, the forests around us identified, labelled and deconstructed as inanimate resources, a model of thought that conceals the harm it causes ourselves and the wider world. Yet Japan’s collective psyche towards the spiritual, psychological, medical and cultural value of the land has enabled them to preserve monumental areas of earth in its natural state. Because the preface echoes the visual narrative to come, it grounds us in the ideas that the work ultimately revolves around. It’s a precursor to the importance that Emery puts on the world. Read on here.