Rie, 2016

Rie was selected as one of the most engaging & exciting projects in photography in 2016 by the British Journal of Photography.


“Lena C. Emery’s photographs are characterised by their elegance, sensuality and intimation of narrative. In Emery’s work, the effect of the photograph is to engender a moment of intimacy in which the self shifts from private to public.” – Lucy Kumara Moore


On the last pages and written in the voice of a young girl ruminating on the joys of days spent uninhibitedly whilst living in rural Japan during a bygone era, Emery gives into the notion of our bodies being directly bound to the natural world:


… In summer time, once the sun would stay high above the horizon for most of the day, father would take us through the forest, down to Yuigahama beach. For hours my sisters and I would lay there, our naked bodies buried deep in the hot sand, listening to the undulating waves as they touched and lapped onto the rocks. We would watch the last fishermen come ashore, chanting Soran Bushi, their song of gratitude to the wide ocean’s treasures caught that day. Come nightfall, we returned home with the taste of salt still fresh on our tongues and our skin dark, like the muddy brown of a distant river. Oh, how much joy would have been lost on those summer days, had our bodies been covered in these linens then…

Published by Kominek Books, Berlin 2016. Signed and numbered edition of 750. 78 Pages. 37 Color Plates. Contains a short story by the artist.


Signed copies available via Iroko Studio